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A GEAI ORIGINAL FILM

GEAI
THE MOVIE

From the origins of discovery to the intimacy of a gaze.

46.2 seconds / 1080p / 25 fps
A film by Lorenzo La Luce / GEAI46.2 seconds / 1080p / 25 fps

Inside GEAI THE MOVIE

A primordial clearing, an orbital spacecraft, a monolith. George gives discovery a face; Carmen’s gaze, tear and small smile reveal its emotional centre.

The black monolith beneath the natural arch of a cave
I / GEAI THE MOVIE

The origins

A cave frames a primordial clearing. The monolith introduces a threshold; George gives the unknown a face.

Carmen and Commander Leo in the cockpit
II / GEAI THE MOVIE

Another scale

The spacecraft and cockpit connect a vast imagined world with Carmen and Commander Leo.

A close detail of Carmen’s eye and a single tear
III / GEAI THE MOVIE

A human response

An eye, a tear, a small smile. Discovery becomes something we can recognise and feel.

THE FILM, FRAME BY FRAME

THE GEAI APPROACH

How the film takes shape

From the first environment to the final cut, Lorenzo La Luce builds a shared visual language through direction, AI production and editing.

Soul Cinema

I / Locations

The cave, clearing and spacecraft establish the world. Light, geometry and composition connect cinematic references to the film’s images.

Seedream 5.0 Pro

II / Cast

Faces, proportions and uniforms take shape in character sheets. Full references keep each character recognisable from one scene to the next.

Seedance 2.5

III / Animation

From still images to moving scenes: gestures, glances and camera movement are directed, selected and refined.

Adobe Premiere Pro

IV / Editing

In Adobe Premiere Pro, music, shot duration and changes of scale connect the discovery to Carmen’s emotion.

HiggsfieldSoul CinemaSeedream 5.0 ProSeedance 2.5Adobe Premiere Pro

SEEDREAM 5.0 PRO / CHARACTER SHEETS

The characters

The character sheets bring together front, back and portrait views. Faces, uniforms and the GEAI emblem become the shared reference for the scenes.

I / GEAI CAST

George AI / The mascot

Green skin, amber eyes, an ivory jacket with gold details, petrol-green trousers and ivory boots. GEAI’s identity enters the story.

II / GEAI CAST

Carmen / The emotional centre

Black hair, a petrol-green uniform and an ivory collar. Her gaze gives the imagined world a human scale.

III / GEAI CAST

Leo / The commander

An ivory command jacket, petrol and gold details, petrol-green trousers. In the cockpit, his presence accompanies Carmen’s discovery.

SOUL CINEMA / LOCATION DESIGN

Worlds before characters

Three environments built in Soul Cinema: orbital space, a cockpit and a cave with a monolith. The set is established first; the characters enter next.

I / Orbital space
II / Cockpit
III / Cave and monolith

MAKING THE WORLD

Concept, creative direction, AI production, editing and post-production
Lorenzo La Luce / GEAI
Production platform
Higgsfield
Locations and cinematic references
Soul Cinema
Character sheets and visual references
Seedream 5.0 Pro
Animated scenes
Seedance 2.5
Editing and finishing
Adobe Premiere Pro
Music used in the edit
Also sprach Zarathustra / Richard Strauss
Cinematic inspiration
2001: A Space Odyssey / Stanley Kubrick

LET’S BEGIN WITH YOUR IDEA

What would you like
the world to see?

Tell us about the product, the objective and when you would like to publish. We will get back to you to define the scope and next steps together.

A film by Lorenzo La Luce / GEAI

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